Artists

Participating Artists

 
Carole Frances Lung

Carole Frances Lung

Carole Frances Lung (Construction and Fabrication for Radical Caftan)

Carole Frances Lung is an artist, soft power super hero, and Associate Professor of Fashion Fiber and Materials, at California State University Los Angeles. Through her alter ego Frau Fiber, Carole activates a vocabulary of fashion and textile production and consumption, crafting of one of a kind garments, installations, performances, and social sculpture, paying homage to labor, textile and apparel manufacturing histories and contemporary production systems.  Her slow durational practice of careful listening, problem solving, skill sharing and community building engages in hands-on experiences, which attempt to instigate change in the current Fast Fashion system. Her performances have been exhibited at Human Resources, San Jose Quilt and Textile Museum, Craft in America Study Center, Jane Addams Hull House Museum, Craft and Folk Art Museum, Center for Craft Creativity and Design, Museum of Contemporary Craft, OTIS College of Art and Design, Appalachian State University and the Ghetto Biennale Port Au Prince Haiti. Publications include: KCET Artbound, Surface Design Journal, American Craft Council: Shaping the Future of Craft, Art in America, and Art Papers. She has lectured at Bauhaus University in Weimar Germany, National College of Art and Design Dublin, IR;  The School of Art and Design Oslo, Norway, Arrowmont and Haystack Mountain School of Craft. She has been awarded: Kohler Arts and Industry Residency, Craft Creativity and Design Center Grant, At the Edge Gallery 400 award and Fred A. Hillbruner Artist Book Fellowship, and Faculty Fellow for the Public Good. Carole maintains the Institute for Labor Generosity Workers and Uniforms, Frau Fiber’s headquarters and experimental factory in downtown Long Beach, CA.

sara clugage.jpg

Sara Clugage

Sara Clugage is a dilettante. She lives and works in Brooklyn, where she is the editor-in-chief of Dilettante Army, an online publication for art and critical theory. In addition to weaving and writing, she acts as a director for the Craft Advanced Research Projects Agency (CARPA), is part of the Leadership Collective for the Wikipedia campaign Art+Feminism, and hosts a series of salon dinners themed on the artistic production models and culinary histories of diverse times and places. She has written for The Journal of Modern Craft, Surface Design Journal, Textile: The Journal of Cloth and Culture, and Pelican Bomb.

Shannon Stratton

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